Please Note : Works from the 'Still Moments' exhibition will be shipped from the 14th December

Hannah Blackall Smith Stoneware rounded shoulder form 27
Hannah Blackall Smith Stoneware rounded shoulder form 27
Hannah Blackall Smith Stoneware rounded shoulder form 27
Hannah Blackall Smith Stoneware rounded shoulder form 27
Hannah Blackall Smith Stoneware rounded shoulder form 27

Hannah Blackall Smith Stoneware rounded shoulder form 27

Maker: Hannah Blackall Smith

Regular price £396.00

Handmade in Copenhagen

Dimensions: H – 16cm x W - 18

Materials: Grey Stoneware sealed with quartz and protective wax.

Method: Smoke fired stoneware, fired once in the electric kiln before being smoke fired for 48 hours in a pit firing with various organic materials

 

Description:
This beautiful, rustic vase is part of the artist's ongoing exploration of form, surface and texture. Taking inspiration from Ancient Greek and Roman pottery as well as forms found within antiquity, this hand thrown textured bottle exhibits some beautifully subtle rustic smoke marking on the exterior -  traces of the unique firing process inherent in Blackall's practise.  

As all products are handmade, sizes and colour may vary slightly.

 

About the Artist:

Hannah Blackall-Smith is a, largely self taught, English potter now living and making in Copenhagen. Since moving to the city in 2017 she has assisted local ceramicist Tasja Pulawska and now Hannah runs her own studio Blacksmith Ceramics in Copenhagen.

Inspiration for a warmly rustic, yet minimal, aesthetic comes from a range of places; scandinavian design principles yet also historic pottery shapes from ancient civilisations and late 20th century studio pottery from the UK.

Hannah is completely wedded to the wheel above all other ceramic techniques and adds a fluted texture to many of her pieces. This is applied mid way through throwing when the clay is at its wettest stage and captures the momentum of the wheel in the gently twisted fluting.

Creating visible traces and irregularities of the hand making process in her work is a form of communication with the piece’s final owner. These pots have lived several lives before they are even used: on the wheel, in the kiln and (in the case of the smoke fired pieces) in the fire. Each early stage of the pot’s ‘life’ leaves an indelible mark on its surface that will be there in perpetuity.